Meme Categories:
Category: Disasters
First Seen:
2023-05-10T21:03:35+00:00
Gemma-3-27b's Take:
Okay, here's an analysis of the tweet, broken down into sections as requested, focusing on potential theoretical angles. Note that some of these theories are better fits than others, and a single tweet can be interpreted through multiple lenses. --- **Visual Description** The image is a screenshot of a tweet from Twitter user @McJesse (presumably Jesse McLaren). The tweet consists of text over a dark background. Above the text is a small circular profile image of a person with dark hair. The tweet is formatted as a two-part observation: the first is a reflection on watching Marvel movies after *Endgame* and the second is a short, understated response of “Oh.” reflecting 2022. The aesthetic is fairly minimalist; it relies on text and the context of social media for its impact. --- **Foucauldian Genealogical Discourse Analysis** This tweet lends itself well to a Foucauldian analysis. The central issue is the *discourse* surrounding collective trauma and the expectation of “normalcy” after a significant event (like the fictional "snap" in *Avengers: Endgame*). * **Power/Knowledge:** The tweet points to the power structures that dictate how we *talk about* and *process* trauma. The expectation that society should simply “carry on” represents a normalizing discourse – a way of silencing or marginalizing the impact of trauma. It suggests that certain ways of understanding and responding to trauma are favored over others. * **Genealogy:** We could trace the genealogy of this expectation. Historically, societies have often prioritized stability and productivity over acknowledging individual or collective emotional responses to catastrophe. The demand for “moving on” can be seen as a continuation of this historical pattern. The "snap" functions as an archetypal event that exposes this tendency. * **Discipline:** This expectation of “carrying on” operates as a disciplinary mechanism. It attempts to control emotional responses and ensure continued participation in social norms. To feel deeply the weight of the “snap” is to deviate from the expected role of a "productive" citizen. The “Oh.” in 2022 can be interpreted as a resigned acknowledgement of this ongoing disciplinary function and the normalization of collective trauma. --- **Critical Theory** This tweet resonates with themes central to Critical Theory, specifically regarding the alienation of experience. * **Commodification of Emotion:** The large-scale fictional event (*Endgame*) is a spectacle, a part of a vast entertainment industry. Critical theory would suggest that this spectacle risks turning genuine emotional responses into a form of consumption – we "experience" the event through the movie, but it can feel distanced from real life. * **Alienation:** The disconnect between the “insane collective trauma” and the societal expectation of normalcy points to a broader alienation. We are alienated from our emotions, from each other, and from the ability to collectively process significant events. The tweet suggests that this is a deeply problematic and absurd situation. * **Culture Industry:** The Marvel Cinematic Universe is a prime example of the "culture industry" as described by Adorno and Horkheimer. It produces standardized, mass-produced experiences that can numb us to genuine emotional depth. --- **Postmodernism** The tweet could be read through a postmodern lens, focusing on the collapse of grand narratives and the experience of simulation. * **Hyperreality:** The “insane collective trauma” is, of course, fictional. However, the intensity of engagement with the MCU has blurred the lines between reality and simulation. We may feel genuinely affected by events that "didn't really happen". This speaks to Baudrillard’s concept of hyperreality where simulations replace the real. * **Fragmentation:** The tweet implicitly acknowledges the fragmentation of experience in contemporary society. We are bombarded with information and simulated experiences, making it difficult to find meaning or connect with shared emotions. * **Irony and Self-Awareness:** The tweet itself is ironic. It highlights the absurdity of caring about a fictional event while simultaneously acknowledging the genuine emotional response it provokes. The understated “Oh.” in 2022 feels like a detached, self-aware commentary on this whole situation. --- **Queer Feminist Intersectional Analysis** While not the strongest fit, an intersectional analysis can reveal some layers. * **Emotional Labor:** The expectation of "carrying on" can disproportionately impact marginalized groups, who are often expected to suppress their emotions and prioritize the needs of others. This aligns with the concept of emotional labor often performed by women and other marginalized individuals. * **Collective Trauma & Social Justice:** Collective trauma is rarely experienced uniformly. Experiences of trauma are often shaped by intersecting systems of oppression (race, gender, class, etc.). The tweet, while not explicitly addressing this, hints at the broader issue of societal expectations that silence and invalidate the experiences of those who are already marginalized. * **Rejection of Normative Expectations:** The tweet subtly rejects the normative expectation of emotional regulation and "moving on" after trauma, which can be particularly harmful to those who are already navigating complex emotional landscapes. --- I hope this breakdown is helpful! Let me know if you'd like me to focus on any particular theoretical lens or delve deeper into any of these points.
Llama-3.2-11b's Take:
This meme is a humorous reaction to the Marvel Cinematic Universe (MCU) movies' tendency to set up and then immediately resolve complex, emotional storylines. The meme is a quote from a person who has just finished watching the latest MCU movie, expressing their frustration with the rapid pacing and emotional manipulation of the story. The quote reads: "I just watched a 3 hour movie where I was supposed to feel 12 emotions in a row and now I'm just feeling 1"